By Stephen Longstaffe
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Extra info for 1 Henry IV: A critical guide
J. and A. E. Dobell, 1924), p. 25. 15. John Dryden, Of Dramatick Poesy, an Essay (1668) (London: Jacob Tonson, 1735), p. lxxvi. 16. Aphra Behn, ‘An Epistle to the Reader’ (1673), in More Seventeenth-Century Allusions to Shakespeare and his Works, ed. George Thorn-Drury (London: P. J. and A. E. Dobell, 1924), p. 10. THE CRITICAL BACKSTORY 31 17. Samuel Pepys, ‘Diary’ (1667), in William Shakespeare: The Critical Heritage, 1623–1692 (Volume 1), ed. Brian Vickers (London: Routledge, 1974), p. 31. For example, Paul Jorgensen, Redeeming Shakespeare’s Words (Berkeley, CA: University of California Press, 1962).
M. Stewart, ‘Character and Motive in Shakespeare’ (1949), in Shakespeare: Henry IV Parts I and II: A Casebook, pp. 127–33. ed. , 1986). 59. Robert Watson, Shakespeare and the Hazards of Ambition (Cambridge: Harvard University Press, 1984). 60. Sigurd Burckhardt, ‘Shakespearean Meanings’ (1968), in Henry the Fourth Parts I and II: Critical Essays, ed. , 1986), pp. 289–314. THE CRITICAL BACKSTORY 33 61. Derek Cohen, ‘The Rites of Violence in 1 Henry IV’, Shakespeare Survey, 38 (1985), 77–84. 62. For example, Valerie Traub, ‘Prince Hal’s Falstaff: Positioning Psychoanalysis and the Female Reproductive Body’, Shakespeare Quarterly, 40 (1989), 456–74.
227, 228. 26. Cumberland, ‘Remarks’, p. 50. 27. Corbyn Morris, ‘An Essay Towards Fixing the True Standards of Wit, Humour, Raillery, Satire and Ridicule’ (1744), in Henry the Fourth Parts I and II: Critical Essays, ed. , 1986), pp. 1–5 (p. 3). 28. Richard Stack, ‘An Examination of an Essay on the Dramatick Character of Sir John Falstaff ’ (1788), in William Shakespeare: The Critical Heritage, 1693–1733, (Volume 2), ed. Brian Vickers (London: Routledge, 1974), pp. 469–79. 29. Morris, ‘Essay’, p.
1 Henry IV: A critical guide by Stephen Longstaffe